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Hawkwind (Albums 1970-1975) 1970–1975: United Artists era: Hawkwind are an English rock band known as one of the earliest space rock groups. Since their formation in November 1969, Hawkwind have gone through many incarnations and have incorporated many different styles into their music, including hard rock, progressive rock and psychedelic rock. They are regarded as an influential proto-punk band. Their lyrics often cover themes of urban life and science fiction. Inspired by marathon jamming and the interstellar excursions of psychedelia during the 1960s, Hawkwind are one the architects of British space rock. Still together in the 2020s, through countless personnel changes and dozens of albums, their music continues to combine avant- and hard rock, psychedelia, esoteric metaphysical philosophy, science fiction, and rebellion in technologically futuristic settings. Their first six albums issued between 1970 and 1975 -- most notably In Search of Space, Space Ritual, and Warrior on the Edge of Time -- are considered classics. Pretty Things guitarist Dick Taylor was brought in to produce the 1970 debut album Hawkwind. Although it was not a commercial success, it did bring them to the attention of the UK underground scene, which found them playing free concerts, benefit gigs, and festivals. Playing free outside the Bath Festival, they encountered another Ladbroke Grove–based band, the Pink Fairies, who shared similar interests in music and recreational substances; a friendship developed which led to the two bands becoming running partners and performing as "Pinkwind". Their use of drugs, however, led to the departure of Harrison, who did not partake, to be replaced briefly by Thomas Crimble (about July 1970 March 1971). Crimble played on a few BBC sessions (which were eventually collected on the album The Text of Festival) before leaving to help organise the Glastonbury Free Festival 1971; he sat in during the band's performance there. Lloyd-Langton also quit, after a bad LSD trip at the Isle of Wight Festival led to a nervous breakdown. Their follow-up album, 1971's In Search of Space, brought greater commercial success, reaching number 18 on the UK album charts. This album offered a refinement of the band's image and philosophy courtesy of graphic artist Barney Bubbles and underground press writer Robert Calvert, as depicted in the accompanying Hawklog booklet, which would be further developed into the Space Ritual stage show. Science fiction author Michael Moorcock and dancer Stacia also started contributing to the band. Dik Mik had left the band, replaced by sound engineer Del Dettmar, but chose to return for this album, thus giving the band two electronics players. Bass player Dave Anderson, who had been in the German band Amon Düül II, had also joined and played on the album, but departed before its release because of personal tensions with some other members of the band. Anderson and Lloyd-Langton then formed the short-lived band Amon Din. Meanwhile, Ollis quit, unhappy with the commercial direction in which the band were heading. The addition of bassist Ian "Lemmy" Kilmister and drummer Simon King propelled the band to greater heights. One of the early gigs the band played was a benefit for the Greasy Truckers at The Roundhouse on 13 February 1972. A live album of the concert, Greasy Truckers Party, was released; from this, a single (with overdubbed vocal), "Silver Machine", was also released, reaching number three in the UK charts. This generated sufficient funds for the subsequent album Doremi Fasol Latido and Space Ritual tour. The show featured costumes, dancers Stacia and Miss Renee – typically performing either topless or wearing only body paint – mime artist Tony Carrera, and a light show by Liquid Len. The songs in the show were connected by electronic and spoken word segues and the show was recorded on the elaborate package Space Ritual. At the height of their success, in 1973, the band released the single "Urban Guerrilla", which coincided with an IRA bombing campaign in London, so the BBC refused to play it and the band's management reluctantly decided to withdraw it fearing accusations of opportunism, despite the disc having already climbed to number 39 in the UK chart. Dik Mik departed during 1973, and Calvert ended his association with the band to concentrate on solo projects. Dettmar also indicated that he was to leave the band, so Simon House was recruited as keyboardist and violinist playing live shows, a North America tour and recording the 1974 album Hall of the Mountain Grill. Dettmar left after a European tour and emigrated to Canada, whilst Alan Powell deputised for an incapacitated King on that European tour, but remained, giving the band two drummers. At the beginning of 1975, the band recorded the album Warrior on the Edge of Time in collaboration with Michael Moorcock, loosely based on his Eternal Champion figure. However, during a North American tour in May, Lemmy was caught in possession of amphetamine crossing the border from the US into Canada. The border police mistook the powder for cocaine and he was jailed, forcing the band to cancel some shows. Fed up with his erratic behaviour, the band dismissed the bass player replacing him with their long-standing friend and former Pink Fairies guitarist Paul Rudolph. Lemmy then teamed up with another Pink Fairies guitarist, Larry Wallis, to form Motörhead, named after the last song he had written for Hawkwind. — AMG/Wikipedia Disc List: 1970 - Hawkwind 1971 - In Search Of Space 1972 - Doremi Fasol Latido 1973 - Space Ritual (2 CD) 1974 - Hall Of The Mountain Grill 1975 - Warrior On The Edge Of Time Media Report: Genre: space rock, progressive rock Origin: UK Format: FLAC Format/Info: Free Lossless Audio Codec Bit rate mode: Variable Channel(s): 2 channels Sampling rate: 44.1 KHz Bit depth: 16 bits Compression mode: Lossless Writing library: libFLAC 1.3.0 (UTC 2013-05-26) Note: If you like the music, support the artist